|
The name given to a diverse group of 17th-century English poets whose work is notable for its ingenious use of intellectual and theological concepts in surprising conceits, strange paradoxes, and far-fetched imagery. The leading metaphysical poet was John Donne, whose colloquial, argumentative abruptness of rhythm and tone distinguishes his style from the conventions of Elizabethan love-lyrics.
Other poets to whom the label is applied include Andrew Marvell, Abraham Cowley, John Cleveland, and the predominantly religious poets George Herbert, Henry Vaughan, and Richard Crashaw.
In the 20th century, T.S. Eliot and others revived their reputation, stressing their quality of wit, in the sense of intellectual strenuousness and flexibility rather than smart humour.
The term metaphysical poetry usually refers to the works of these poets, but it can sometimes denote any poetry that discusses metaphysics, that is, the philosophy of knowledge and existence. For a range of critical accounts, consult Gerald Hammond (ed.), The Metaphysical Poets: A Casebook (1972).
 
|
