British
Romantic Poetry(G11960)
Spring 2018
Introduction
1. Humbolt¡¯s
idea of ¡°the whole man¡±
In
a passage that would subsequently become famous in the English-speaking world
through its citation by John Stuart Mill in On
Liberty, Humboldt wrote, ¡°The true end of man, that which is prescribed by
the eternal and immutable dictates of reason, and not suggested
by vague and transient desires, is the highest and most harmonious development
of his powers to a complete and consistent whole. . . .[T]hat on which the
whole greatness of mankind ultimately depends - towards which every human being
must ceaselessly direct his efforts . . .[is]: individuality of energy and
self-development.¡±
2. Wordsworth¡¯s
romantic Project: Making a Perfect Man
Imagination
having been our theme,
So also hath
that intellectual Love,
For they are
each in each, and cannot stand
Dividually.--Here
must thou be, O Man!
Power to
thyself; no Helper hast thou here;
Here keepest
thou in singleness thy state:
No other can
divide with thee this work:
No secondary
hand can intervene
To fashion this
ability; 'tis thine,
The prime and
vital principle is thine
In the recesses
of thy nature, far
From any reach
of outward fellowship,
Else is not
thine at all. But joy to him,
Oh, joy to him
who here hath sown, hath laid
Here, the
foundation of his future years!
For all that
friendship, all that love can do,
All that a
darling countenance can look
Or dear voice
utter, to complete the man,
Perfect him, made imperfect in himself,
All shall be
his: and he whose soul hath risen
Up to the
height of feeling intellect
Shall want no
humbler tenderness; his heart
Be tender as a
nursing mother's heart;
Of female
softness shall his life be full,
Of humble cares
and delicate desires,
Mild interests
and gentlest sympathies.
(William
Wordsworth, The Prelude, Book XIV,
206-231, 1850)
3. Schleiermacher¡¯s
idea of self with two contradictory drives: individuality and infinity(from
Izenberg¡¯s Impossible Individuality,
pp 18-21)
Both
the transient actions and the permanent dispositions of the human soul show
that it exists as only two opposing drives [Trieben]. Pursuing one of them, it
strives to establish itself as a unique and separate being. To accomplish this,
to expand itself no less than to sustain itself, it draws its surroundings to
itself, weaving them into its life and absorbing them into its own being. The
opposing drive is the dread fear of standing as a single individual alone
against the whole; it is the longing to surrender and be completely absorbed in
it, to feel taken hold of and determined by it.
Individual
particularity is by definition finite, because it is delimited by its
difference from others. If, however, the self tries to expand by a constant
absorption of the world into itself, its tendency is to become infnite and
hence to obliterate its individuated identity. It follows that the two
ostensibly opposite drives aim at the same thing, though by opposite means.
Both aim not at individuality but at the infinity of the self, the one by
absorbing everything into itself, the other by dissolving itself into
everything. ¡¦ A closer look, however, reveals
that in 1799-1800 Schleiermacher saw no fundamental contradiction between the
idea of individuality and the idea of union with the ¡°one and all.¡± The fusion
of the soul with the beloved produces not self-loss but a sense of personal
mastery through the soul's identification with its object and the appropriation
of the object's powers: ¡°I lie in the bosom of the infinite world; I am in this
moment its soul, for I feel all its
powers and its infinite life as my own. It is in this moment my body, for I
penetrate its muscles and its limbs as my own¡±(italics added). The
rhetorically elegant and powerful passage repeats in its structure the
reciprocity of the symbiosis it evokes. The world's infinity becomes the self,
the self 's intentions animate the world. The religious experience of
self-annihilation seems not only compatible with the sense of the individuated
self 's active mastery of the universe, it is the vehicle for it.
4. Byron¡¯s
idea of self with opposite drives
I
live not in myself, but I become
Portion
of that around me; and to me,
High
mountains are a feeling, but the hum
Of
human cities torture: I can see
Nothing
to loathe in Nature, save to be
A
link reluctant in a fleshly chain,
Classed
among creatures, when the soul can flee,
And
with the sky, the peak, the heaving plain
Of
ocean, or the stars, mingle, and not in vain.
(George
Gordon Byron, Childe Harold¡¯s Pilgrimage
Canto III, Stanza 74, 698-706)
5. Romantic
Self and Autobiography (from Izenberg¡¯s Impossible
Individuality, p. 15)
The
central theme that Wordsworth announces for his project is
th'individual
mind that keeps its own
Inviolate
retirement, and consists
With
being limitless, the one great Life; (8-11)
With
these apparently simple lines, we are at the heart of the Romantic enterprise
and the Romantic claim: the finitude of the unique individual, inviolate in his
or her self-contained individuality, is consistent with the individual's infinity
and fusion with the cosmos in the one great life. Autobiography is not
incidental; it is the demonstration and thus the proof of the great new truth
that Romantic writing wishes to announce. From this point of view the details
of the individual life are not merely particular, or rather, individual
particularity is elevated in Romanticism to a universal principle.
Individuality is not only compatible with infinity, it is the very vehicle for
realizing the union with infinity.
6. Rousseau¡¯s
¡°Unique¡± Self(from Linda Anderson¡¯s Autobiography)
I
have resolved on an enterprise which has no precedent, and which, once
complete, will have no imitator. My purpose is to display to my kind a portrait
in every way true to nature, and the man I shall portray will be myself. Simply
myself. I know my own heart and understand my fellow man. But I am made unlike
any one I have ever met; I will even venture to say that I am like no one in
the whole world. I may be no better, but at least I am different. Whether
Nature did well or ill in breaking the mould in which she formed me, is a
question which can only be resolved after the reading of my book.
(Rousseau, from The Confessions)
Though
in the very next paragraph Rousseau goes on to invoke a ¡®Sovereign
Judge¡¯ and an ¡®Eternal Being¡¯, God is being given only a peripheral role to
play: Rousseau addresses God as a source of emphasis at the beginning of his
autobiography rather than turning to him, either here or elsewhere, as a
pre-eminent and sufficient arbiter of a truth. Truth for Rousseau becomes
conflated with truthfulness, the non-verifiable intention of honesty on the
part of the author. Truth, therefore, can never be established once and for
all, but can only be presented in terms of the constant reiteration of avowals
and disclaimers by Rousseau himself. Rousseau transposes to ¡®man¡¯, and, in
particular, ¡®natural man¡¯ or Nature, the power to know or see inside the self
that once resided with God. There is, for Rousseau, no higher form of knowledge
than feeling; self-knowledge,
it
soon becomes evident, is inseparable from conviction or intuitive self-understanding,
from ¡®a knowledge of his heart¡¯ that belongs to him alone. ¡®I have only one
faithful guide on which I can count; the succession of feelings which have
marked the development of my being¡¯. Without recourse to Divine help, or
intervention, situated within secular time, Rousseau¡¯s ¡®feelings¡¯
stretch out into a succession of endlessly renewable inner revelations about
himself. His ¡®self¡¯ is plotless and, because it is without climax or denouement,
seemingly interminable.
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