It is 11:15 p.m. on a summer evening in Covent Garden, and rain is coming down in torrents. A mother is

taking shelter under the portico of St. Paul¡¯s Church with her daughter while her son tries to find a cab to take

them home. Mother, son, and daughter are all of upper-class appearance and wearing evening dress. At this

time, none of the characters are named. Their names appear in the script after being mentioned in dialogue.

They are, in fact, Mrs. Eynsford Hill, her son, Freddy, and her daughter, Clara.

Freddy has failed to find a cab and is rushing away to try to find one in the Strand when he bumps into a

flower seller, scattering the contents of her basket over the pavement. She remonstrates with him angrily.

Shaw at first attempts to reproduce her dialect phonetically, using the Roman alphabet (¡°Ow, eez ye-ooa san,

is e?¡± for ¡°Oh, he¡¯s your son, is he?¡± etc.), but quickly gives up, explaining that this method of trying to

represent the sound of her accent must be ¡°unintelligible outside London.¡± Mrs. Eynsford Hill gives the girl

sixpence for the flowers, much to Clara¡¯s disgust.

The girl tries to sell a flower to a gentleman standing nearby, but a bystander points out to her that there is a

man with a notebook who appears to be writing down their entire conversation. By this time, a crowd has

gathered. Most of them, including the girl, assume that the notetaker is a police agent. This arouses their

hostility, and the girl vociferously protests that she has harmed no one.

The general suspicion only increases when the notetaker identifies what part of London all the bystanders

come from. They challenge him to try the same trick with the gentleman, thinking that he will not dare to

¡°take liberties¡± with a member of the upper classes. The note taker, however, promptly identifies the

gentleman with the words ¡°Cheltenham, Harrow, Cambridge, and India,¡± meaning that he comes from the

town of Cheltenham, was educated at Harrow School and Cambridge University, and has since lived in India.

The gentleman confirms that the notetaker is correct and asks him if he does this for his living at a music hall.

The rain stops, and everyone leaves the church portico except the notetaker, the gentleman, and the flower

girl. The notetaker then explains that he was able to identify the origins of the gentleman, the flower girl, and

everyone else through his knowledge of phonetics, the ¡°science of speech.¡± He has made a particular study of

London dialects and can place any Londoner within two miles, ¡°sometimes within two streets.¡± He explains

that he makes his living by teaching people of low social origins who have made a lot of money to speak the

upper-class English appropriate to their new station in life. He boasts that in three months, he could teach even

the flower girl to speak such perfect English that he could pass her off ¡°as a duchess at an ambassador's

garden party¡± or even get her a job in a flower shop, which would require even better English.

It transpires that the notetaker is not only of the same social class as the gentleman—the two also share an

interest in phonetics and are aware of each other¡¯s work. The gentleman is Colonel Pickering, author of

¡°Spoken Sanskrit,¡± and the notetaker is Professor Henry Higgins, author of ¡°Higgins¡¯s Universal Alphabet.¡±

The two men quickly become friends and go to the Carlton Club, where Pickering is staying, to have supper

together. As they leave, the flower girl (who still has not been provided with a name–the audience has to wait

until act 2 to learn that she is Eliza Doolittle) asks Pickering to buy a flower, saying that she is short of money

for her lodging. Higgins calls her a liar, pointing out that she previously claimed to be able to change half a

crown (two shillings and sixpence in pre-decimal coinage, when a pound or ¡°sovereign¡± was twenty

shillings).

Eliza is furious with Higgins and flings her flower basket at his feet. As she does so, the church clock strikes,
and Shaw¡¯s stage directions explain that Higgins hears in this ¡°the voice of God, rebuking him for his

Pharisaic want of charity to the poor girl.¡± He throws a handful of coins into her basket as he and Pickering

depart. Eliza is astonished to find that Higgins has thrown quite a large sum of money into her basket,

including a half-sovereign (ten shillings)—an amount it would normally take her at least a couple of days to

earn by selling flowers. At this point, Freddy Eynsford Hill finally returns with a cab, only to find that his

mother and sister left some time ago when the rain stopped. However, Eliza decides to use a fraction of her

newfound wealth to take the cab home and grandly tells him that she will take it off his hands, leaving Freddy

feeling quite bewildered.

2. Passages from Act I

THE NOTE TAKER.

Simply phonetics. The science of speech. That's my profession; also my

hobby. Happy is the man who can make a living by his hobby! You can spot

an Irishman or a Yorkshireman by his brogue. I can place any man within six

miles. I can place him within two miles in London. Sometimes within two

streets.

THE FLOWER GIRL.

Ought to be ashamed of himself, unmanly coward!

THE GENTLEMAN.

But is there a living in that?

THE NOTE TAKER.

Oh yes. Quite a fat one. This is an age of upstarts. Men begin in Kentish Town with 80 pounds a year, and end in Park Lane with a hundred thousand. They want to drop Kentish Town; but they give themselves away every time they open their mouths. Now I can teach them--

THE FLOWER GIRL.

Let him mind his own business and leave a poor girl--

THE NOTE TAKER

[explosively] Woman: cease this detestable boohooing instantly; or else seek

the shelter of some other place of worship.

THE FLOWER GIRL

[with feeble defiance] I've a right to be here if I like, same as you.

THE NOTE TAKER.

A woman who utters such depressing and disgusting sounds has no right to

be anywhere--no right to live. Remember that you are a human being with a

soul and the divine gift of articulate speech: that your native language is the

language of Shakespeare and Milton and The Bible; and don't sit there

crooning like a bilious pigeon.

THE FLOWER GIRL

[quite overwhelmed, and looking up at him in mingled wonder and

deprecation without daring to raise her head] Ah--ah--ah--ow--ow--oo!

THE NOTE TAKER

[whipping out his book] Heavens! what a sound! [He writes; then holds out

the book and reads, reproducing her vowels exactly] Ah--ah--ah--ow--ow--

ow--oo!

THE FLOWER GIRL

[tickled by the performance, and laughing in spite of herself] Garn!

THE NOTE TAKER.

You see this creature with her kerbstone English: the English that will keep

her in the gutter to the end of her days. Well, sir, in three months I could pass that girl off as a duchess at an ambassador's garden party. I could even get her a place as lady's maid or shop assistant, which requires better English. That's the sort of thing I do for commercial millionaires. And on the profits of it I do genuine scientific work in phonetics, and a little as a poet on Miltonic lines.