Gothic novel
(Gothic romance)
A story of terror and suspense, usually set in a
gloomy old castle or monastery (hence 'Gothic', a term applied to medieval
architecture and thus associated in the 18th century with superstition).
Following the appearance of Horace Walpole's The Castle of Otranto (1764), the Gothic novel flourished in
Britain from the 1790s to the 1820s, dominated by Ann Radcliffe, whose
Mysteries of Udolpho (1794) had many
imitators. She was careful to explain away the apparently supernatural
occurrences in her stories, but other writers, like M.G. Lewis in The Monk (1796), made free use of ghosts
and demons along with scenes of cruelty and horror. The fashion for such works,
ridiculed by Jane Austen in Northanger
Abbey (1818), gave way to a vogue for historical novels, but it contributed
to the new emotional climate of Romanticism. In an extended sense, many novels
that do not have a medievalized setting, but which share a comparably sinister,
grotesque, or claustrophobic atmosphere, have been classed as Gothic: Mary
Shelley's Frankenstein (1818) is a
well-known example; and there are several important American tales and novels
with strong Gothic elements in this sense, from Poe to Faulkner and beyond. A
popular modern variety of women's romance dealing with endangered heroines in
the manner of Charlotte Brontë's Jane
Eyre (1847) and Daphne du Maurier's Rebecca
(1938) is also referred to as Gothic. See also fantastic, horror story,
preromanticism. For a fuller account, consult Fred Botting, Gothic (1996).