The 19th Century English Poetry(2017-2)
 
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As to the poetical Character itself (I mean that sort of which, if I am any thing, I am a Member; that sort distinguished from the wordsworthian or egotistical sublime; which is a thing per se and stands alone) it is not itself - it has no self - it is every thing and nothing - It has no character - it enjoys light and shade; it lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated - It has as much delight in conceiving an Iago as an Imogen. What shocks the virtuous philosopher, delights the camelion Poet.

½ÃÀûÀÎ(½ÃÀÎÀÇ) ¼º°Ý(³»°¡ ¸¸ÀÏ ¹«¾ùÀ̶ó°í ¸»ÇÒ ¼ö ÀÖ´Ù¸é, ³»°¡ ±× ÀÏ¿øÀÎ ±×·± ½ÃÀÎ, ±×·¯´Ï±î ±× ÀÚü·Î ÀÌ¹Ì ¾î¶² °ÍÀ̸ç Ȧ·Î Á¸ÀçÇÏ´Â ¿öÁî¿ö½ºÀû ȤÀº ÀÚ±âÁß½ÉÀû ¼þ°íÇÔ°ú´Â ±¸ºÐµÇ´Â ±×·± Á¾·ùÀÇ ½ÃÀÎ), ±×·± ½ÃÀÎÀÇ ¼º°ÝÀº ±× ÀÚü°¡ ¾Æ´Ï´Ù. ±×°ÍÀº Àھư¡ ¾øÀ¸¸ç, ±× ÀÚü°¡ ¸ðµç °ÍÀÌ¸ç µ¿½Ã¿¡ ¾Æ¹« °Íµµ ¾Æ´Ï´Ù. ±×°ÍÀº ¼º°ÝÀ» °®Áö ¾ÊÀ¸¸ç, ºû°ú ±×´ÃÀ» µ¿½Ã¿¡ Áñ±ä´Ù. ±×°ÍÀº ÃëÇâ ¼Ó¿¡¼­ »ì »ÓÀÌ´Ù. ³ª»Û °ÍÀ̵ç, ÁÁÀº °ÍÀ̵ç, °í±ÞÇϵç Àú±ÞÇϵç, dz¿ä·Óµç °¡³­Çϵç, õ¹ÚÇÏµç °í»óÇϵç, (¾Ç´çÀÎ) ÀÌ¾Æ°í¸¦ »ý°¢Çϵç (¼±ÇÑ ¿©ÁÖÀΰø) À̸ð°ÕÀ» »ý°¢ÇÏµç ¶È°°Àº ±â»ÝÀ» ´À³¤´Ù. µµ´öÀûÀΠöÇÐÀÚ¿¡°Ô Ãæ°ÝÀ» ÁÖ´Â °Íµµ Ä«¸á·¹¿Âó·³ ¿©·¯ »ö±òÀ» ³»´Â ½ÃÀο¡°Ô´Â Áñ°Å¿î ÀÏÀÏ »ÓÀÌ´Ù.

Iago´Â Othello¿¡ ³ª¿À´Â ¾Ç´ç, ImogenÀº Cymbeline¿¡ ³ª¿À´Â ¿ÕÀÇ µþ. À½¸ðÀÇ Èñ»ýÀÚ.


 
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