The 19th Century English Poetry(2017-2)
 
SUBSITES
Coursepack
 

   Áú¹®°ú ´äº¯ 6

Áú¹® 1. KeatsÀÇ ÆíÁö¿¡¼­ Negative capability´Â ºÎÁ¤ÀûÀÎ °¡´É¼ºÀ̶ó°í ÇØ¼®À» ÇÏ¸é µÇ³ª¿ä? ¾Æ´Ï¸é ±×³É ÀÌ ´Ü¾î ÀÚü¸¦ »ç¿ëÇÏ¸é µÇ³ª¿ä?



´äº¯ 1: È®¸³µÈ ¹ø¿ªÀÌ ¹«¾ùÀÎÁö ¸ô¶óµµ, ¡°ºñ½ÇÀçÀû ´É·Â¡±·Î ÇÏ¸é µÉ µí.



Áú¹® 2. KeatsÀÇ On the Aims of PoetryºÎºÐ¿¡¼­

'and does not startle it or amaze it with itself but with its subject' ¿¡¼­ itÀº ¾Õ¿¡ ³ª¿Â one Áï ½Ã¸¦ Àд »ç¶÷À» ¸»ÇÏ´Â °ÍÀΰ¡¿ä? ¾Æ´Ï¸é ¹®ÀåÀÇ ÁÖ¾îÀÎ ½Ã¸¦ ÀǹÌÇÏ´Â °ÍÀΰ¡¿ä?

´äº¯ 2-1: it´Â one's soul, Áï µ¶ÀÚÀÇ ¸¶À½À» ¸»ÇÏ´Â °ÍÀÔ´Ï´Ù.



±×¸®°í ÀÌ ºÎºÐÀÌ ÇØ¼®ÀÌ ¾î¶»°Ô µÇ´Â °ÍÀΰ¡¿ä? ½Ã°¡ itÀ̶ó¸é ½Ã´Â ±× ÀÚü·Î ÀÚ½ÅÀ» ³î¶ó°Ô ÇØ¼­´Â ¾ÈµÇ°í ±×°ÍÀÇ ÁÖÁ¦·Î ³î¶ó°Ô ÇØ¾ßÇÑ´Ù´Â ÇØ¼®ÀÌ ¸Â´Â°Ç°¡¿ä?



´äº¯ 2-2: ½Ã´Â ±× ³»¿ëÀÌ ³î¶ó¿î °ÍÀº ±¦ÂúÁö¸¸, ½Ã¶ó´Â ¸Åü ÀÚü°¡ ³î¶ó¿ö¼­´Â ¾ÈµÈ´Ù´Â °Í. ±×·¯´Ï±î ½Ã´Â ±× ÀÚü·Î´Â Åõ¸íÇϰí Á¸Àç°¨ÀÌ ¾ø¾î¾ß ÇÑ´Ù´Â ¶æ.



Áú¹® 3. KeatsÀÇ ¸¶Áö¸· On Poet's identity¿¡¼­ unpoeticalÀ̶ó´Â °ÍÀÌ ¾î¶² ÀǹÌÀΰ¡¿ä, °¡´ÉÇÏ´Ù¸é 11¹øÂ° ÁÙ¿¡¼­ 16¹øÂ° ÁÙ±îÁö ÇØ¼® ºÎʵ右´Ï´Ù. ½ÃÀÎÀº Á¤Ã¼¼ºÀ» °®Áö ¾Ê°í ¾î¶² Á¸Àç·Îµµ º¯ÇÒ ¼ö ÀÖ´Ù´Â ³»¿ëÀÎ °Í °°Àºµ¥ ¼¼¼¼ÇÏ°Ô ÇØ¼®ÀÌ Á» ¾î·Æ½À´Ï´Ù.



´äº¯ 3: ½ÃÀÎÀº ¿öÁî¿ö½ºÃ³·³ ÀÚ½ÅÀÇ Á¤Ã¼¼ºÀ» ³»¼¼¿ö¼­´Â ¾ÈµÈ´Ù´Â °Í. ÀÚ½ÅÀÌ Áø¸®¸¦ ±ú´Ý°í ±×°ÍÀ» µ¶Àڵ鿡°Ô °¡¸£ÃÄÁÖ°Ú´Ù´Â ½ÄÀº °ï¶õÇÏ´Ù´Â °Í. ¾îµðºÎÅÍ ¾îµð±îÁö Âß ¹ø¿ªÇØÁÖ¼¼¿ä ÇÏ´Â Áú¹®Àº ÇÏÁö ¸»¶ó°í ÇßÀ½. ÇÏÁö¸¸ À̹ø Çѹø¸¸ ÇØÁÖ°ÚÀ½.



It does no harm from its relish of the dark side of things any more than from its taste for the bright one; because they both end in speculation. A Poet is the most unpoetical of any thing in existence; because he has no Identity - he is continually in for - and filling some other Body - The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute - the poet has none; no identity - he is certainly the most unpoetical of all God's Creatures.



±×°Í(½ÃÀÎÀÇ ¼º°Ý)ÀÌ »ç¹°ÀÇ ¾îµÎ¿î ¸éÀ» Áñ±ä´Ù´Â °ÍÀº »ç¹°ÀÇ ¹àÀº ¸éÀ» Áñ±â´Â °ÍÀÌ ±×·¸µí ÇØ°¡ µÇ´Â °ÍÀÌ ¾Æ´Ï´Ù. ¿Ö³ÄÇÏ¸é ±× µÑ ´Ù ¸ðµÎ °¡»óÀÇ »óȲÀ¸·Î ³¡³ª´Â °ÍÀ̱⠶§¹®ÀÌ´Ù. ½ÃÀÎÀº Á¸ÀçÇÏ´Â ¾î¶² °Íº¸´Ùµµ ½ÃÀûÀÌÁö ¾Ê´Ù. ¿Ö³ÄÇÏ¸é ½ÃÀÎÀº Á¤Ã¼¼ºÀÌ ¾ø±â ¶§¹®ÀÌ´Ù. ½ÃÀÎÀº ²÷ÀÓ¾øÀÌ ¹º°¡¸¦ À§ÇÏ¿© Á¸ÀçÇϰí, ´Ù¸¥ ¾î¶² À°Ã¼ÀÇ ¼ÓÀ» ä¿î´Ù. ÇØ, ´Þ, ¹Ù´Ù, ³²ÀÚ µå¸®°í ¿©ÀÚ, ±× ¸ðµç °ÍµéÀº Ãæµ¿ÀÇ ¼Ò»êÀÌ¸ç ½ÃÀûÀ̰í, Àú¸¶´Ù º¯ÇÏÁö ¾Ê´Â ¼Ó¼ºÀ» °¡Áö°í ÀÖ´Ù. ÇÏÁö¸¸ ½ÃÀÎÀº ±×·± ¼Ó¼ºÀÌ ¾ø´Ù. ¾î¶² Á¤Ã¼¼ºµµ ¾ø´Â °Å´Ù. ½ÃÀÎÀº ºÐ¸í ½ÅÀÇ ¸ðµç ÇÇÁ¶¹° Áß °¡Àå ½ÃÀûÀÌÁö ¾ÊÀº Á¸ÀçÀÌ´Ù.

 
LECTURE ROOMS
 
 
 
 
© 2014 ARMYTAGE.NET ALL RIGHTS RESERVED