Sylvia Plath (1932-1963), poet and novelist, was born in Boston, Massachusetts, on 27
October 1932, the first child of Otto and Aurelia Schober Plath. Forty-seven at the time of her
birth, Otto Plath had emigrated from his native Prussia in 1901, receiving a doctorate from
Harvard in 1928 (published as Bumblebees and Their Ways in 1934) before lecturing at
Boston University, where he meet Aurelia, a second generation Austrian-American student.
Plath spent her infancy in the seaside town of Winthrop, Massachusetts, during which she
developed a profound attachment to her reticent and distant father. In 1940, following an
emergency amputation of a leg (the result of an untreated diabetic condition), Otto died, and
the family moved inland to Wellesley. Plath would never recover from this loss, whose
presence can be felt throughout her work.
2. Ted Hughes, Robert Lowell, and Anne Sexton
Enrolled at Newnham College, Cambridge, Plath began contributing verse to student
magazines and as a result met Ted Hughes , whom she married on 16 June ('Bloomsday'),
1956. Upon the completion of her MA, the couple relocated to America -- Plath having
secured a post at her alma mater. While Hughes 's The Hawk in the Rain (1957) had
established him as a major new voice in English poetry -- thanks in part to his wife's tireless
promotion of his work -- Plath still struggled to find her own, and during her year at Smith
became convinced that the vocations of academic and writer were irreconcilable.
Emboldened by the New Yorker 's acceptance of two poems ('Mussel Hunter at Rock
Harbour' and 'Nocturne ') she quit Smith, settling with Hughes in Boston. Here Plath attended
Robert Lowell 's poetry workshop, where she met Anne Sexton . Both encounters were
crucial, Lowell introducing her to the possibilities of the recent 'confessional' turn in
American verse, and Sexton to poetry's potential for articulating the specificity of female
experience.
3. Separation with Hughes followed by an extraordinary period of creativity
In the autumn of 1962, Hughes 's marital infidelity resulted in the couple's separation. Plath
remained in Devon with her children, and entered a period of extraordinary creativity whose
intensity and concentration is comparable to those that crowned the work of Keats and Rilke .
4. Her suicide leaving two children
On 11 February 1963, with a deliberation that left little doubt as to the finality of her decision,
Plath, having placed bread and milk by her sleeping children, sealed her kitchen and leaving
the gas oven on, ended her life.
5. Her posthumous fame as a "confessional" poet
Even in the context of post-war American confessional poetry, the centrality of Plath's life to
the themes and development of her art is unprecedented, and the apparent necessity of
establishing their relation have made both the subject of disparate and often contentious
readings. Generally Plath's writing has been seen in terms of symptomatology.
6. Plath as a Feminist Poet
The status of Plath's work was transformed by feminism, whose its insistence on the primacy
of gendered experience problematised any easy distinction between the personal and the
cultural. From this perspective, Plath's invocation of Nazism in poems such as 'Daddy' and
'Lady Lazarus' bore witness to a pervasive phallocratic violence at whose extremity lay the
atrocity of the concentration camps
7. A Documentary on Sylvia Plath
8. An Interview with Sylvia Plath
9. Another Interview with Sylvia Plath and Ted Hughes
9. "The Bell Jar" A Film based on Sylvia Plath's autobiography with the same name
Sylvia Plath (1932-1963), poet and novelist, was born in Boston, Massachusetts, on 27
October 1932, the first child of Otto and Aurelia Schober Plath. Forty-seven at the time of her
birth, Otto Plath had emigrated from his native Prussia in 1901, receiving a doctorate from
Harvard in 1928 (published as Bumblebees and Their Ways in 1934) before lecturing at
Boston University, where he meet Aurelia, a second generation Austrian-American student.
Plath spent her infancy in the seaside town of Winthrop, Massachusetts, during which she
developed a profound attachment to her reticent and distant father. In 1940, following an
emergency amputation of a leg (the result of an untreated diabetic condition), Otto died, and
the family moved inland to Wellesley. Plath would never recover from this loss, whose
presence can be felt throughout her work.
2. Ted Hughes, Robert Lowell, and Anne Sexton
Enrolled at Newnham College, Cambridge, Plath began contributing verse to student
magazines and as a result met Ted Hughes , whom she married on 16 June ('Bloomsday'),
1956. Upon the completion of her MA, the couple relocated to America -- Plath having
secured a post at her alma mater. While Hughes 's The Hawk in the Rain (1957) had
established him as a major new voice in English poetry -- thanks in part to his wife's tireless
promotion of his work -- Plath still struggled to find her own, and during her year at Smith
became convinced that the vocations of academic and writer were irreconcilable.
Emboldened by the New Yorker 's acceptance of two poems ('Mussel Hunter at Rock
Harbour' and 'Nocturne ') she quit Smith, settling with Hughes in Boston. Here Plath attended
Robert Lowell 's poetry workshop, where she met Anne Sexton . Both encounters were
crucial, Lowell introducing her to the possibilities of the recent 'confessional' turn in
American verse, and Sexton to poetry's potential for articulating the specificity of female
experience.
3. Separation with Hughes followed by an extraordinary period of creativity
In the autumn of 1962, Hughes 's marital infidelity resulted in the couple's separation. Plath
remained in Devon with her children, and entered a period of extraordinary creativity whose
intensity and concentration is comparable to those that crowned the work of Keats and Rilke .
4. Her suicide leaving two children
On 11 February 1963, with a deliberation that left little doubt as to the finality of her decision,
Plath, having placed bread and milk by her sleeping children, sealed her kitchen and leaving
the gas oven on, ended her life.
5. Her posthumous fame as a "confessional" poet
Even in the context of post-war American confessional poetry, the centrality of Plath's life to
the themes and development of her art is unprecedented, and the apparent necessity of
establishing their relation have made both the subject of disparate and often contentious
readings. Generally Plath's writing has been seen in terms of symptomatology.
6. Plath as a Feminist Poet
The status of Plath's work was transformed by feminism, whose its insistence on the primacy
of gendered experience problematised any easy distinction between the personal and the
cultural. From this perspective, Plath's invocation of Nazism in poems such as 'Daddy' and
'Lady Lazarus' bore witness to a pervasive phallocratic violence at whose extremity lay the
atrocity of the concentration camps
7. A Documentary on Sylvia Plath
8. An Interview with Sylvia Plath
9. Another Interview with Sylvia Plath and Ted Hughes
9. "The Bell Jar" A Film based on Sylvia Plath's autobiography with the same name